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Many questions arise concerning the meaning of the chariots depicted on the Irish high crosses. Although some scholars have tried to interpret these images in a Christian way, no satisfactory solution has come up. Therefore, in this paper the question is asked whether the chariot could belong to a Celtic motif. By looking at the details of the images found on the Irish high crosses and comparing them to literary descriptions, the possibility is proposed that the figures in the chariots are Cú Chulainn and his charioteer Lóeg. It seems probable that the story of the Phantom Chariot of Cú Chulainn, Siaburcharpat Conculaind, is depicted in these cases. Even though this story has a clear Celtic element, it also has strong connections with Christian topics, which makes it even more probable that this is the story depicted on the Irish high crosses.
This paper examines three aspects of Lhuyd's work on Irish megalithic tombs: (i) the context of his famous account of Newgrange is assessed and is shown to have a more complex background than hitherto assumed; (ii) using several complementary pieces of evidence, Lhuyd's classification of British megalithic tombs is outlined and discussed, and it is shown to have been used by him to describe megaliths encountered on his Irish tour; (iii) an examination of Lhuyd's Additions to Gibson's edition of Camden's Britannia of 1695 is used to illustrate his ideas on the function, origin and chronology of megalithic tombs. Antiquarian studies of Irish megalithic tombs after Lhuyd are discussed in the context of his contribution.
Incl., on pp. 220-221, a translation, by Whitley Stokes, of the poem beg. Tiughulbh in tighe abadh (Laud 615).
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